• Wed - Dec 13 — Gainesville: Irish
  • Wed - Dec 13 — Tampa: Scandinavian
  • Fri - Dec 15 — Jacksonville: Contra
  • Fri - Dec 15 — Melbourne: Contra
  • Fri - Dec 15 — Sarasota: Contra
  • Sat - Dec 16 — Gainesville: Contra
  • Sun - Dec 17 — Boca Raton: Contra
  • Mon - Dec 18 — Gainesville: English Country
  • Tue - Dec 19 — Melbourne: English Country
  • Tue - Dec 19 — Venice Area: English Country
  • Tue - Dec 19 — Lake Worth: Irish Céilí
  • Tue - Dec 19 — Fort Walton: Contra
  • Wed - Dec 20 — Gainesville: Irish
  • Wed - Dec 20 — Tampa: Scandinavian
  • Fri - Dec 22 — Orange Park: English Country
  • Sat - Dec 23 — Gulfport Casino: Contra
  • Sat - Dec 23 —Davie: Contra
  • Mon - Dec 25 — Gainesville: English Country
  • Tue - Dec 26 — Melbourne: English Country
  • Tue - Dec 26 — Venice Area: English Country
  • Tue - Dec 26 — Lake Worth: Irish Céilí
  • Tue - Dec 26 — Fort Walton: Contra
  • Wed - Dec 27 — Gainesville: Irish
  • Wed - Dec 27 — Tampa: Scandinavian
  • Fri - Dec 29 — Orange Park: English Country
  • Dec 39-31 — Gainesville: New Year Contra
  • Tue - Jan 2 — Melbourne: English Country
  • Tue - Jan 2 — Venice Area: English Country
  • Tue - Jan 2 — Lake Worth: Irish Céilí
  • Tue - Jan 2 — Fort Walton: Contra
  • Wed - Jan 3 — Gainesville: Irish
  • Wed - Jan 3 — Tampa: Scandinavian
  • Fri - Jan 5 — Orange Park: English Country
  • Fri - Jan 5 — Pinellas Park: Contra
  • Sun -Jan -7 — Gainesville: New Year Contra
  • Mon - Jan 8 — Gainesville: English Country
  • Tue - Jan 9 — Melbourne: English Country
  • Tue - Jan 9 — Venice Area: English Country
  • Tue - Jan 9 — Lake Worth: Irish Céilí
  • Tue - Jan 9 — Fort Walton: Contra
  • Wed - Jan 10 — Gainesville: Irish
  • Wed - Jan 10 — Tampa: Scandinavian
  • Fri - Jan 12 — Tallahassee: Contra
  • Fri - Jan 12 — Melrose:
  • Fri - Jan 12 — Orange Park: English Country
  • Sat - Jan 13 — Pinellas Park: Contra
  • Sat - Jan 13 —Davie: Contra - spended
  • Sun - Jan 14 — DeLand: English Country
  • Mon - Jan 15 — Gainesville: English Country
  • Tue - Jan 16 — Melbourne: English Country
  • Tue - Jan 16 — Venice Area: English Country
  • Tue - Jan 16 — Lake Worth: Irish Céilí
  • Tue - Jan 16 — Fort Walton: Contra
  • Wed - Jan 17 — Gainesville: Irish
  • Wed - Jan 17 — Tampa: Scandinavian
  • Fri - Jan 19 — Jacksonville: Contra
  • Fri - Jan 19 — Melbourne: Contra
  • Fri - Jan 19 — Sarasota: Contra
  • Sat - Jan 20 — Gainesville: Contra
  • Sun - Jan 21 — Boca Raton: Contra
  • Mon - Jan 22 — Gainesville: English Country
  • Tue - Jan 23 — Melbourne: English Country
  • Tue - Jan 23 — Venice Area: English Country
  • Tue - Jan 23 — Lake Worth: Irish Céilí
  • Tue - Jan 23 — Fort Walton: Contra
  • Wed - Jan 24 — Gainesville: Irish
  • Wed - Jan 24 — Tampa: Scandinavian
  • Fri - Jan 26 — Tallahassee: Contra
  • Fri - Jan 26 — Orange Park: English Country
  • Sat - Jan 27 — Gulfport Casino: Contra
  • Sat - Jan 27 —Davie: Contra
  • Mon - Jan 29 — Gainesville: English Country
  • Tue - Jan 30 — Melbourne: English Country
  • Tue - Jan 30 — Venice Area: English Country
  • Tue - Jan 30 — Lake Worth: Irish Céilí
  • Tue - Jan 30 — Fort Walton: Contra
  • Wed - Jan 31 — Gainesville: Irish
  • Wed - Jan 31 — Tampa: Scandinavian
  • English Country Dance
    in the French Court

    The Feuillet Collection - 1706

    In 1660 Maria Theresa of Austria married Louis XIV of France. The young couple (both 22 at the time) loved to dance. Maria Teresa and her court imported German Quadrilles from Austria and Germany. These dances were called danse allemande but also contredance since one couple faced another couple across the square. These dances dominated the French Court until the death of Maria Teresa in 1683.

    Commencing around 1680, English Country Dance became popular in the French Court. Many English dances were modified to suit French tastes and other dances were composed in the English style. Raoul-Auger Feuillet published a collection (the first?) of 32 dances in 1706. Fifteen dances have identifiable English origins, three were composed by Feuillet, and five others by a M. Voisin. The remaining by unidentified composers - presumably French. La Matelote is one of the dances composed by Feuillet. It is currently popular as The Female Sailor - the literal translation. John Essex translated the collection into English in 1710.

    Feuillet used a graphical notation, developed by Pierre Beauchamp and extended by himself, to describe the dances. While his method is very specific it also is very long - requiring about 200 pages for the 32 dances. The original document contains a selection of the Beauchamp-Feuillet notation that is appropriate to the English dances.

    The music in the original document uses a violin clef that was popular at the time. I have transposed the music for the treble clef. From the document, it appears that Feuillet prepared a tune book for the musicians with harmonies or parts. This tune book has not been preserved.

    I have decoded the graphic instructions into text. Some elegant steps of the French court dances have been replaced by English setting. Anyone interested in the French steps can consult the original document.

    I have included a photo copy and translation of the original graphical document, and a text version of the dances with musical scores. Larger musical scores suitable for musicians are included. The sources of the dances, where available, are included.

    A few samples of the graphical notation is shown here. A point of caution: The marks along the figures are not arrowheads indicating they line of progression. They are feet properly turned out 90°. Click on an image to enlarge it.

    There are undoubtedly errors in my transcriptions. Notification of these errors would be appreciated.

    This work was derived from public domain sources. It is intended for use by the English Country and Contra Dance communities free from any royalties or copyright.


    The Original Document
    Translation of the Original Document
    English text version on the Dances
    Tunebook
    Sources for the Dances

    Siding right

    Turn by right hand once and a half

    Back to back

    Fall back, lead in, mirror turn single

    Please do not use perfume or other heavy fragrances before dancing. Living Fragrance Free contains tips for avoiding objectional fragrances.

    All You Need to Know About Relationships can be Learned in a Dance Class.


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